Noted tonalist Walter Clark was educated as an engineer at the Massachusetts Institute of Technology before pursuing an artistic career. After completion of his class work at MIT in 1869, he traveled extensively in Europe studying art and architecture. He would eventually expand his travels to include the Far East as well. Returning to New York, Clark entered the National Academy of Design in 1876, where he took instruction from Lemuel Wilmarth and Jonathan Hartley. In 1881, he came under the tutelage of George Inness at the Art Students League. Inness would have a profound influence on Clark, and the two artists occupied adjacent studios in the Holbein Building for many years.
Best known for his subdued, pastoral landscapes of Long Island, Chadds Ford, and other East Coast destinations, Clark enjoyed a successful career and distinguished reputation. He exhibited at the National Academy for nearly four decades, earning the Inness Gold Medal in 1902. He was featured in other important exhibitions as well, including shows at the Pennsylvania Academy of the Fine Arts, Art Institute of Chicago, Boston Art Club. Brooklyn Art Association, and the 1893 Chicago and 1904 St Louis World Fairs. Clark was a member of the most prestigious art associations of the day.
Encouraged by his friends John Twachtman, Edward Potthast, and Joseph DeCamp, Clark began working in an impressionist vein in the 1890s. He spent summers painting in the art colonies at Cos Cob and Old Lyme, Connecticut; Gloucester, Massachusetts; and Ogunquit, Maine. The father of artist Eliot Candee Clark, the two shared an aesthetic sensibility and studio space in New York’s Van Dyke building.
For more information on this artist or the Southern masterworks in our collection, please visit our gallery website.
This essay is copyrighted by the Charleston Renaissance Gallery and may not be reproduced or transmitted without written permission from Hicklin Galleries, LLC.